Since emerging onto the scene in 2014, Moses Sumney has ridden a wave of word-of-mouth praise, hushed recordings, and dynamic live performances. It’s an organic, patient ascent all too rare in today’s musical climate. In a voice both mellifluous and haunting, Sumney makes future music that transmogrifies classic tropes, like moon-colony choir reinterpretations of old jazz gems. His vocals narrate a personal journey through universal loneliness atop otherworldly compositional backdrops.
Following the self-release of his debut cassette EP, Mid-City Island, and 2015’s 7″, Seeds/Pleas, Sumney has performed around the world alongside forebears like David Byrne, Karen O, Sufjan Stevens, Solange, James Blake and more. With his 2016 Lamentations EP, The California and Ghana-raised troubadour widened the spectrum of his heretofore “bedroom” music, incorporating songs that feature more elaborate production and evocative songwriting. Now his inspired ascent continues.
His proper debut album, Aromanticism is a concept album about lovelessness as a sonic dreamscape. It seeks to interrogate the social constructions around romance. The debut will include the devastating, billowing synths of “Doomed,” which in a way serves as the album’s thesis statement, as well as new versions of standouts “Lonely World” and “Plastic.” It’s a deliberate, jaw-dropping statement that can leave you both enlightened and empty.